CHELSEA SMILE

January 10, 2009

Well, I, for one, am looking forward to an amazing year in music. Just over the past month I’ve discovered so many bands that I’m excited about seeing this year, including a few tours that I’m already getting excited for. Take Action! tour this year will be really good, and the Bamboozle Roadshow is shaping up nicely. And Warped Tour? Don’t even get me started–I am unbelievably stoked for this year in music. New albums from a ton of bands (and hopefully they’ll stick to the suggested dates that were said in Alternative Press), and hopefully some of my smaller bands that I listen to will be getting bigger. Artist Vs. Poet, I’m really excited to see what comes from them next–whether it be another EP or a full-length, I’m looking forward to hearing whatever comes from them. Fearless is a pretty good record label, man.

What else, what else. Headliners has reopened, which means more music for me! Cleveland has really become like my second home, though, and I guess I’m just going to be sticking around there for a while because that’s where all the shows are.

But, onto the pick of the day! Lately, I can’t stop listening to Chelsea Smile by Bring Me The Horizon. I don’t even really know what it is about it–it’s just the breakdowns and the way that the song goes that gets me incredibly pumped up. The whole CD, Suicide Season, is impressive in itself, a lot better than what they had put out before. Chelsea Smile is the second track on the CD, so if you haven’t had the chance to get out there and listen to it….do it now. Video is posted below.

Peace!

COMPROMISE MY INTEGRITY, YEAH?

November 28, 2008

All Time Low, Mayday Parade, The Maine, and Every Avenue were on this tour. I could start off by saying that it was the best night of my life, but that would be a lie. I do love those bands, however, standing outside the venue in the freezing cold is something I’d much rather never do again. Regardless, I can’t deny that All Time Low always manages to put on an excellent show.

But, let’s start with the opener, Every Avenue. The friend that I went with was really excited about seeing them, and they certainly put on a good show. Every Avenue’s music is high energy and got the room moving and ready for the next few bands. Well, until a fight broke out, then the lead singer, Dave, grabbed their attention and basically kicked them out. So, the badass of the night award goes to him–kicking two guys out of a venue at the very beginning of the show has got to suck for them. However, they continued to put on a show that was good and got everyone pumped. Most of the kids seemed to know the songs–some shows that I go to, absolutely nobody knows the opener and it’s just…well, awkward. But, I guess every band started like that.
Anyway, next up was Arizona’s The Maine…and wow. Do they have a huge following! I swear, every single person in that room knew exactly who they were. It was crazy, you would have thought that they were the headliner. Crazy dance pits, crazy crowd-surfing….it was absolute chaos. The last time that I had seen them had been in my hometown, where nobody had even heard of them aside from me, my friend, and a few of the girls that were behind us! It was cool to see that they’d gotten so big in just a few months, but wow. But, The Maine always puts on a good show–the singer’s live voice is actually quite good, and the energy that was sparked by them and the previous band seemed to carry everything over.

Following The Maine was Mayday Parade, who is a favourite of mine. I can’t help but notice, though, that they always seem to wear the same outfits–and that might just be a part of their schtick or whatever, but when I saw them at Warped Tour, they were all wearing the same clothes–and there’s a fifty degree difference between July and November. Their whole set kind of gave off a 1950s-Vegas-gambling vibe, and it was completed by them shooting playing cards out into the crowd as they entered the stage. Mayday’s shows are always a force to be reckoned with, since lead singer Derek Sander’s voice is so distinctive that it can’t and shouldn’t be duplicated. Ever. The entire band is just fun to hang around with and their songs like When I Get Home You’re So Dead get the energy in the room to the point where it’s about to spill over, but they’re saving that for the headliner. I can say, though, that I’ve never been more enthralled with a live show of theirs in my life than this one, and I hope to see them more times in teh future. And! They’re making a new record, so make sure you get on that and check it out!

Finally! All Time Low. All Time Low has an incredibly epic way of entering the stage. Their first song is Poppin Champagne, and it starts out with drummer Rian Dawson entering the stage while it’s dimly lit. The rest of the band members follow, lead singer Alex Gaskarth taking the stage just as the drum beats stop and the first words of the song are sung. Oh, and confetti pours out of the sides of the stage, drowning the crowd that’s already moving intensely with the music. And that’s pretty much the rest of the show. All Time Low does please people like me, though, by playing a few songs off of their old stuff (which I was VERY happy about), along with a new acoustic. However, they didn’t play Vegas, and if they don’t play it the next time I see them, I’m probably going to throw something at them. The show was excellent, though. So much energy, everyone was so into it, and it was just so exciting. Every time I see them, they never disappoint me and I never find myself saying something like “oh, it was so much better the last time I saw them….” no. They’re always amazing, put on great live shows not just because of the music, but because of the banter that goes on between band members on the stage. It’s hilarious and entertaining, and I love it.

You can check out shots of the show on my flickr. No photo pass, just finagling my way to the front. d:

Oh! And they’re really some of the nicest guys you could meet. Seriously. If you get the chance, meet them and the boys from Mayday Parade. They’re all so nice, it’s borderline frightening.

That’s all from me for now! Peace. lastsummerhero

Friday Night Dance

September 27, 2008

Rediscover is a local band that returned to their hometown last night. The music they play is a blend of rock techno, but I think the thing that was the coolest about their show was the fact that they had this awesome microphone effect that caused their voices to…trilliate? I’m not exactly sure of the word, but it gave the singers a very cool techno effect. I, personally, love danceable music. I think that everyone in the world should take time out of their day to listen to some music and dance, mostly because it’s a huge stress reliever, makes you happy, and just loosens you up in general. I wouldn’t be able to make it through a day without music.

Anyway, Rediscover played with this band called We Are The Fury, another local band who plays what they used to call ‘Glam Rock’. We Are The Fury has a really cool new CD out called Venus–you should definitely go check it out sometime! Their songs are an infusion of 80s rock and pop, and it’s definitely a good dance movement. They’re pretty big in the country now (Rediscover is super big in Japan, supposedly), but I always find it really amazing that bands come back home every once in a while to play a hometown show. I find that awesome.

Third band–This Beautiful Republic. I’ve been following them since the beginning, and about a month ago they released their second CD, Perceptions. I don’t think I’ve been more satisfied with music like that in my entire life. The last time that I listened to a CD over and over again was a few months ago, with All Time Low’s ‘So Wrong, It’s Right’. TBR just blew me out of the water this time with tracks like ‘My God’ and ‘No Turning Back’. Songs with beats like that just light a fire in me that make me want to dance, go crazy, and, like I did at the show, scream the lyrics with random people back up at the stage.

That’s pretty much it for now in the way of concert/music reviews. Keep going to concerts, guys. Support the local scene.

AND! If you live in Toledo, go see All Time Low at the University of Toledo’s homecoming concert. I’m still baffled as to how UT got ALL TIME FREAKING LOW. It’s awesome. Seriously.

Peace!

lastsummerhero

Moshing? A guide for those in the dark…like, a cave dark.

August 17, 2008

I, personally, am all for the moshing aspect of the concert experience. Sure, I’ve gotten kicked in the head, but I’d rather get kicked in the head than stepped on because I’m only like four feet tall. But, I am happy to say that every concert I’ve been to seems to have good attendants who know moshing etiquette. Here’s a few tips for those of you not in the know:

Crowd Surfing
It is what it sounds like. It’s when someone gets raised above the heads of others and then they ‘surf’, on a sea of hands, around on top of the crowd, generally towards the front of the crowd. If you do decide to proceed with this crowd-surfing dealio, here’s a few things to keep in mind:

    please, please, please don’t flail around like a fish out of water. it makes you hard to control. but, if you do this, and you fall down, don’t bitch about how the people around you dropped you. just go with the flow, let people toss and throw you as they please.
    don’t crowd surf expecting to get to the front of the crowd. it won’t work. the general pull is that you will get in the front, meaning the very front, meaning in front of the barriers. and then the security guards will haul you off of the crowd and show you the way out, where you can skip away, say that you were two feet away from the band, and then go to the back and proceed to do it all over again.
    if your shoes get stolen, don’t complain. it’s a hazard. just like getting knocked in the head, getting bruised, getting clothes ripped, etc., are all hazards of the job. okay?

OMG. What do I wear?
It depends on what kind of concert you’re going to. Outdoor in the summer? (Like…oh, say, Warped Tour?) just wear shorts and a t-shirt, especially if you’re planning to mosh or be in the pit. Jeans if you want to cook in your own clothes.
Indoor in the summer? Again, I’d say shorts and a t-shirt. There may or may not be air conditioning.
Winter? Pants. Regardless. If you have to wait outside in shorts in 30 degree weather, you may want to think about bringing a hoodie, too.

Okay…how much money do I bring?
Lots.
You’ll see things you want to buy.
CDs. Shirts. Buttons. Shorts.
CDs can run between $5-$12.
Shirts can run between $10-$20.
Hoodies: $25-$40.
Things are expensive.
But totally worth it!

Anything else?
If someone falls down, help them up.
Don’t steal wallets. It just makes you a creep.
Don’t scream that you want to have someone’s babies. That makes you a little creepy, too.
Do have fun. Do enjoy the bands up onstage. They’re there because of you.

That’s all I have to say. I’m not an expert, just going from personal experience. :]

Crash Car Burn

August 16, 2008

Before going to Warped Tour this year, my friend Kelsi and I made a significant effort to listen to all the bands that were going to be at our date by looking them up and creeping on them on MySpace. The bands that we HAD to see were bolded. The bands that we HAD TO SEE NO EXCEPTIONS were bolded with a little star net to them, like so:

HAD TO SEE NO EXCEPTIONS*.

Thank you, Kelsi.

This band called CrashCarBurn was on that list. We’d never even heard of them before Warped Tour, part of it might be that they hail from South Africa. So, we arrive at Warped and no band that we really wanted to see was playing first, mostly metalcore bands that we didn’t really want to see that badly. If you’ve ever been, you know that there are tons of booths to occupy your time (and strip your wallet) during the downtime that you have while waiting for a band that you want to see. We set out to find a couple of specific booths, only to be stopped in our tracks by this guy with an iPod and headphones. He offered us a listen, and as we were listening to them, I looked over at Kelsi and went ‘This was starred on our list!’. The guy with the headphones (who was the lead singer, we found out later) gave us a quizzical look until I explained the list to him. With that, he grinned, gave us a sticker with the time and the stage that they were playing at, telling us that he hoped that we would come. We promised we would.

There’s the background story.

The CD that I bought at the end of their too-short set, This City Needs A Hero is very good for a first album. Not explosive, but the sound definitely caught my attention, a good listen. It’s good fresh powerpop, nothing too hard. The ten-track CD comes with the music video to ‘Serenade’, and track titles like ‘Scarlet Letter’ and ‘So Young’ just interest you in listening to them. If you get a chance to, head on over to the myspace at myspace.com/crashcarburn, you can listen to their songs for yourself and make your own judgments. I’ve seen them live and I thought that they were very entertaining, they kept us smiling and clapping and tapping our feet the entire time. It was a nice ‘cool-down’ to go to at Warped Tour since there was no moshing. They’re from South Africa, though, so if they head back over here to the states, take the opportunity to go see them if you can. They’re a very entertaining band and an excellent listen, and I hope that they get more exposure in the near future.

The state of our music?

August 13, 2008

I was recently speaking to a friend of mine that lives in a different part of the country and she was telling me that ‘the scene in my town and the areas around my town are dying’. She went on to explain that the ’scene’ didn’t mean that boys in tight pants and girls with childish jewelery were deciding to mature up, but that there were almost never any shows, that people just didn’t care about the music anymore.

Then, the next day, I get a link from my cousin with a demand to ‘go shut this old man up’ or something to that effect. I head on over to Citizen Wausau, where, right there on the front page, demanding my attention, was a headline that read ‘Who Wants To Listen Anymore?‘ The author, Tom Neal, goes on to explain how, at shows, people prefer to hang out and talk instead of watching the band on the stage. He also says that often times, at concerts, some youth and people prefer to do crazy versions of moshing instead of listening and enjoying the music.

Personally, I have no idea what he’s talking about regarding ‘where has the music gone’, but there is a distinct difference between my scene and his scene, I think. Yes, my generation has a tendency to just stand around at concerts. I’ll get to that later.
I’ve been to a fair few concerts, and while I certainly don’t consider myself as ’seasoned’ as him in the world of music (I am, after all, only eighteen), I can easily say that every kind of concert I’ve been to I have actually made a real connection with the music. That’s why I go to the concert in the first place. That’s why I listen to music, the connection is in my body somewhere, like a live wire that runs from my ears to my core. The concert is just eighty times better because while I listen to music, I imagine the band on the stage, whether I’ve seen them or not. Going to see them live, in person, pretty much makes every second on that record that I spent $9.99 on worth every penny.

And moshing? Um, hello? Moshing is a part of the concert experience, although it does depend on what kind of concert you’re at. I wouldn’t expect to see any moshing at a Bright Eyes concert or something like that (although I’m sure it has been attempted). Frankly, I find the reason that there’s a connection between moshing and making the music come alive to me very hard to explain, but I will make my best attempt.

At some concerts, you can express your love for the song by swaying gently, maybe even casually raising your cellphone (or, back in the day, a lighter) and waving it in time to the songs that are being played. You can casually head bob, not to be confused with head banging, while having a totally satisfied expression on your face. This kind of ‘appreciation’ can probably be found at an acoustic set, or some mellow band…something like that.

Then there’s the kind of music that makes you want to move, makes you want to jump, makes you want to just go crazy. That’s where moshing comes from. It’s a uniform movement of bodies and general mayhem, and everyone in the pit has one passion: they’re all there for the music. I don’t think people get into moshes just to throw people around. There are certain songs that have certain crazinesses of moshing (for example, at The Devil Wears Prada, most of the moshing just involves throwing yourself around and pushing other people while you’re being thrown around). Every time I’ve seen Mayday Parade, it’s jumping in time, screaming out the lyrics and not caring that you’re grinding against the person in front of you.

All I have to say to you is: if you’re that person that wants to head bob or just STAND there, you better not be in the front of the crowd because I swear, I will push you if you’re just standing there to take pictures and not enjoy the music. You can take pictures all you want, from the press pit or from the sides, but I’m telling you right now that the front of the crowd? Not the place to be if you don’t want to get pushed at from all sides, kicked in the head, and molested. And, if any of those things happen to you, you can’t go around complaining to everyone about what happened because, well, that’s what happens when you’re in the front. Get over it.

That was mean. I don’t mean to say that you don’t have passion if you don’t rock out hard. You have more passion than those kids in the back, and maybe you’re just not the moshing/throw yourself around/get pushed around by other people, that’s fine. Lots of people aren’t into that kind of things. Even I can get tired and just stand in the back and head bob, but I’ll still listen to the band, sing along, even while I’m standing in the back. Maybe get a bottle of water, but I’m not going to go and sit down somewhere and ignore the band that I paid to see.

Now, to address the other issue in the article, the people standing around. I’ve learned from my personal experience at concerts that most of the people that are standing around (and this is, again, my generation) are the ’scene kids’ who think they’re so cool because, well, they’re at the concert. They don’t necessarily care about the music, they’re just there because they think it’s cool to go to a concert, stand around, and then, afterwards, try to meet the band and play off that they’ve been in the actual crowd the entire time. They’re usually dressed in tight and (optional) obnoxiously bright coloured pants, Vans, Converse, or those ridiculously priced neon Nikes, and some t-shirt that has something juvenile, like a dinosaur. They go to the concert to meet other scene kids that they met over MySpace by ‘whoring’ themselves out.

Basically, they think they’re hot shit, but to me, they’re kids who pretty much think they’re cooler than everyone else, when they’re not.

So, Tom, you’re probably right on that aspect of people ’standing around’, but just remember, for every stupid person that’s standing outside of the pit is another person that has enough passion, vigor and hype for eight people outside of the stage. I’m one of those people, the people I go to concerts with are those people, and the people next to us in the pit are those people.

End of story.


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